The Berlin based stage director Jakob Weiss says the process of developing a play on stage is like going on a journey. An interview about feeling at home in a social kind of art.
»In historical perspective of art, copy is something completely senseless…« A sophisticated and humorous »Story on Copy« with Mondrian and Duchamp by curator Jelena Vesić
If you find some dirty old socks at Venice Biennale Romanian artist Jean-Lorin Sterian might have paid a visit like he did in 2015. Have a look at the images.
As part of his research on how traumatic events shape our capability to observe the world, performer Marko Milić created drawings inspired by the Rorschach test.
»Where others see a living-room, I see a stage.« »Homemade Culture« is an interactive map for homemade arts and culture events worldwide by fellow Jean-Lorin Sterian.
»Homemade Culture« is an interactive map for homemade arts and culture events worldwide by fellow in the art, science & business program Jean-Lorin Sterian. Projects can be added to the map.
A post by performance artist Li Lorian about her latest work »Exodus« which doesn't serve as a documentation, but as a tool for placing its ideas and references next to each other.
Seven perspectives by seven performers on »Black Square«, a performative intervention on the grassland in front of Schloss Solitude
A conversation with the Toronto-based collaboration Bambitchell about their relation to history, non-human characters, and the potential of working together.
If there is a Palermo in Stuttgart, then there is a beach in the city: »Sun & Sea,« a durational opera performance by the Lithuanian artist trio Barzdžiukaite, Grainytė, & Lapelytė
In this glossary Elisa Band, Cássio Diniz Santiago, Karolina Kucia & Akseli Virtanen pursue the links between economy and performing arts.
A single-serve soup packet, a little bottle with the smell of childhood, a little toy gun. – The Romanian researcher and artist Jean-Lorin Sterian collected objects of solitude from his audience instead of payment for tickets.
A lecture by Elisabeth Schweeger, artistic director of the Academy of Performing Arts, Ludwigsburg, on the role of dramaturges and how to educate them.
An interview with Antoni Rayzhekov on his performance »RE_SONANCE – Etude for an augmented piano and a solo performer«.
Postcard : a card on which a message may be sent by mail without an envelope and that often has a picture on one side // An aesthetical correspondence with audience
Can you please tell me your name? What’s your nationality?
Do you have sex regularly? For »Self-portrait,« the performer Ana Mendes collected her personal records over the years.
What can good dramaturgy achieve? A conversation with Friedrich Schirmer, co-founder of the Marie Zimmermann Fellowship and artistic director of the Landesbühne Esslingen, and head dramaturge Marcus Grube.
»Theater is the house of the word that never becomes flesh« – In 2010, Hamed Taheri staged »Femmina Balba« at Solitude as an attempt towards failure.
With his »Choreoconversations,« the Brazilian performer Thiago Granato found a new way of thinking about dance and choreography, inviting dead, living, and not born yet choreographers.
Ein Gespräch mit Friedrich Schirmer, Mitbegründer des Marie Zimmermann-Stipendium und Intendant der Landesbühne Esslingen und dem Chefdramaturgen Marcus Grube.
»Complex Financial Instruments«, a collaboration between G Douglas Barrett and Leigh Claire La Berge, turns the gallery space into a treatment center.
In the short film »Boat,« Beijing-based artist Xinjun Zhang documented his experiment to make the social disparities in the population of Beijing visible.
From Samoa to Namibia, the Falklands to Jamaica or Australia, part experiment, part musical composition, »Map Series« asks the question: What is an empire today?
The exhibition »The Artist Is Online« dealt with the commonplace and ubiquitous practice of self-presentation in the virtual world and it's influence on performance art.