Welcome to Prospero! At the AI Production Residencies, we do all the hard work so you don't have too. We ensure your leisure time and guide you towards creative fulfilment.
The artists Nora Al-Badri & Nikolai Nelles criticize the power structures of etnological museums and created the NefertititBot to decolonize the biographies of their objects and tell other stories.
Through an examination of the history of the color test card, Rosa Menkman aims to provide some answers to the questions around resolution.
How do you design a seat for the body of the future? Adam Gibbons interviews Tyler Coburn about his project »Ergonomic Futures«.
Soprano singer Lisa Ströckens on the difference between singing and speaking text, being a singer and being an actor.
An insight into the mindset of soprano and actress Lisa Ströckens during a rehearsal with five highly sensitive persons.
Cuba-based journalist Boris González Arenas on the case of Ariel Ruiz Urquiola, who went on a hunger strike to protest the lack of medicine for his sister.
Artistic director Jeffrey Döring on the necessity of »magic« dynamics between actors and props during the first rehearsals.
Author Young Rader from Berlin shares an excerpt from »Sinkhole«, a novel-in-progress about a son visiting his mother in the mountains and one particular summer in the son's past.
Cairo-based journalist Azza Moghazy on a definition of »culture« that oversteps the boundaries of newspapers’ culture sections to impact the general audience.
Actress Laila Richter on her personal experiences of being diagnosed with »high sensitivity« and its connection to Undine, one of the main characters of »Burning Snow«.
Artist and web resident Lauren McCarthy turned her nightmare – hosting a party – into an AI art performance. A talk about AI, art, and the human interface
A conversation with artist and theorist Rosa Menkman who focuses on visual noise artifacts, resulting from accidents in both analog and digital media.
Journalist Boris González Arenas on how reasonable housing options, a former goal of the government's agenda, were substituted by homes made of old boards and palm leaves.
In the first entry of »Traces of a Water Spirit« dramaturg Jeffrey Döring introduces the concept of the play »Burning Snow« to the production team.
In an interview with curator Mirna Rul, Zagreb-based artist Ana Kovačić discusses change, transience, and the notion of home as recurring themes in her work.