An extensive look into the practice of artist and musician Robert Blatt, which is rooted in explorations of expanded sonic situations – functioning as an occurrence itself.
In the midst of the fourth industrial revolution, can art initiate the transformation of societies beyond economic values and instead create spaces for societal ones?
Featuring the project Al camello camello y al amor amor, which refers to unrecognized forms of labor, especially performed by women and artists who work out of passion and love.
An image research project by photographer Nadia Mounier, which explores representation of women in photographic images produced or circulated in the Arab-Islamic sphere.
Three projects by Lucie Freynhagen that dismantle the logic of the art market and institutions, where art can be spotted somewhere else, beyond institutionally secured spaces.
The Indonesian artist duo indieguerillas finds joy in making mistakes and in imperfection, which allows them to work in different fields, from design to fashion and art.
A discourse into the relationship between the individual and the society, the self and the other, reconsidering European transpersonal identity and imaginary ideas.
An atlas of figures taken from the essay film Off-White Tulips by Aykan Safoğlu that retains the associative narrative the film offers, but also presents an independent reading.
An image gallery of drawings by artist Patrizia Bach on the selective perception of the past and the process of writing history.
Collecting amateur photographs, artist Patrizia Bach examines how images – fragments of time themselves – influence our perception of the past and the writing of history.
Read about an installation that adapts, transforms, and challenges complex concepts of traditions and rituals; home and neighborhood.
The videos »Saras« and »Raktchandra« by Indian artist Sahej Rahal show hollow plaster torsos of decaying object gods. Crumbling bits inside them nudge themselves outward, recalling animated figures from shlocky horror movies.
Bojan Krištofić reenvisions the monuments of ex-Yugoslavia’s National Liberation Movement, bringing them into dialogue with contemporary art in Croatia.
Artist Alienór Dauchez in conversation with Théo-Mario Coppola, curator/director of the Collezione Taurisano in Naples, on her project »Vast Enough for Search to Be in Vain«.
With a team of researchers, Grenoble-based artist Pauline de Chalendar developed a tool to draw in VR to overcome the limits of two-dimensional space.
When artist Vanja Babic and writer Zoltán Lesi met at Solitude it led to a cooperation between art and literature, reality and fiction, forest and trash.
How do you design a seat for the body of the future? Adam Gibbons interviews Tyler Coburn about his project »Ergonomic Futures«.
In an interview with curator Mirna Rul, Zagreb-based artist Ana Kovačić discusses change, transience, and the notion of home as recurring themes in her work.
A time-traveling talk on the transformation of The Secret Corner, a weather-dependant artwork by Johannes Cladders, the first jury chairman of Akademie Schloss Solitude.
Xinjun Zhang in a conversation about the influences of performance art in China and its role for his work dealing with the country's transition.
Artist Dima Hourani from Palestine investigates images, symbols, and icons, questioning the role they play in specific societies and exiled communities. A studio visit at Solitude
»It’s like being at a party and wondering how the other people got there.« What is »(no)action(no)space«? A talk with the artists, designers, researchers and engineers
»In historical perspective of art, copy is something completely senseless…« A sophisticated and humorous »Story on Copy« with Mondrian and Duchamp by curator Jelena Vesić
What makes attention valuable? Can bots be an audience? The answer might have something to do with cats. A talk with artist and architect Curtis Roth on his current project
»Ana Kovačić's exhibition is a gathering of previous gatherings. It is, ultimately, a meditation on space and time.« American writer Thomas Crowley on the Croatian artist's latest project