»Have a good cry but also put it into words, please.«
What can art do for blockchain to begin unveiling such facts that decentralized software architectures as blockchain do not necessarily decentralize power?
Iranian filmmaker Shirin Barghnavard on teaching how to narrate »a reality« in a creative way.
What allows us to love and be loved in neoliberal societies, in which love feels paradoxically more private and at the same time more political than ever?
Linking ambiguity and closure, intuition and deduction, artist Douglas Rogerson reveals the striking similarities and fuzzy paradoxes between premises and promises.
Because identifying one thing means saying it is different from an other. A curatorial investigation and introduction to »Gemini – The Journal.«
Autobiography, archaeology and history are narrative structures that create a sense of belonging. In the lure of identification, empathy becomes a powerful tool.
What happens when the judicial reconciliation of a homicide gets tangled up within its own intention of letting justice prevail? A filmmaker’s perspective.
Does a multiplicity of perspectives imply multiple realities? In an intimate conversation, two filmmakers discuss subjectivity, sincerity and quantum physics.
The story of a woman who heals her painful skeletal disorder by traveling to a moss-covered, volcanic island. A project by Tesia Kosmalski for the web residencies by Solitude & ZKM
How can positive futurity concepts and sustainable technologies of joy be developed that specifically benefit low-income, vulnerable, and marginalized Black communities?
The project »All Directions at Once« by Luiza Prado created for the web residencies by Solitude & ZKM, and part of the »Membrane Exhibition – Refracted Gazes,« explores how solidarity and resistance to colonial power could take shape.
Artist Umber Majeed has created an animation and speculative fiction on the feminist historicization of Pakistan as the first »Muslim nuclear state.«
By building a 3D goddess called Cherie Pie, digital artist Taietzel Ticalos investigates how technology and online sex work challenge our understanding of sexuality.
What does »the future is female« actually look like? Four artists will find out for the web residencies by Solitude & ZKM, curated by Morehshin Allahyari.
Mica Cabildo from tropical Philippines, opened her studio at the snowiest country in the world – Hokkaido/Japan – to teach primary schoolchildren how to work with ice and sand.
Artists have always played a key role in the realization and critical negotiation of new technological affordances. How has this process taken shape within artist residency contexts?
Artist Léa Porré is fascinated by deserts and oases. For the web residencies by Solitude & ZKM, she explores how the landscape became an icon, questioning the fetishized image by the West.
Aesthetic objects like Marcel Duchamp's readymades deny any affordance that was usually associated with the object. Through the development of interactive, virtual objects this denial is challenged and transformed.
The art-research duo FRAUD examines the genealogy and affordance of the white paper, regarding the ideology of financial self-determination, by performing its scripted erasure.
A brief introduction to J.J. Gibson’s initial theorization of affordance, its importance and why it still needs to be rethought in relation to the algorithmic.
A fragmentary time travel around the globe to the origins and counterorigins of the digital.
How do we search for the potential meanings of affordance? A collection of thoughts on affordance’s definition by Douglas Rogerson
Web resident, Indian artist Sahej Rahal claims that every day new myths are created. As a consequence, he builds the myths of the future, that truly resist a truth claim.
What if the magical powers of the 3D scanner and the Mesoamerican ancient god of rain came together to fight digital colonialism? An interview with artist and web resident Juan Covelli